While the screenplay was still being written, production designer Nathan Crowley began the set design process in Nolan’s garage, employing a “visual script” consisting of scale models, images, drawings, and notes. (x)
The Prestige (2006)
While the screenplay was still being written, production designer Nathan Crowley began the set design process in Nolan’s garage, employing a “visual script” consisting of scale models, images, drawings, and notes. (x)
The Prestige (2006)
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